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A Renaissance Awakening

A Renaissance Awakening

Julie writes...

Whenever a tangler is having trouble mastering a certain tangle, I always suggest taking a break from that tangle or tile for a while and focus on familiar tangles that bring you comfort. After a period of time passes (could be hours, days, weeks, or months), try the tangle again. Sometimes all you need is a fresh set of eyes, a cleared head or new perspective to finally achieve that “Ah-ha!” moment.
 
This advice is not just for tangles – it can be used for anything new, like techniques or new materials. I was scrolling through the Zentangle Mosaic Waterfall recently when I came across one of my tiles from 2015. I wrote about my newfound love for Renaissance in a comment. I remembered this tile well as it was when I first had that “ah-ha!” moment with Renaissance tiles. A Renaissance awakening - A Renaissance renaissance if you will. 


 
My renaissance journey begins in June 2014. I had been tangling on and off for years and I had been working at Zentangle HQ for a few months when I was sitting in the classroom at Hotel Providence becoming a CZT. It was the final day when I took my seat to see those beautiful renaissance tiles in front of me. I had never worked on them before (I considered myself a bit of a purist) but was excited to give it a try.
 
I remember the class vividly. Our first tangle was well and let me tell you, well did not go so well. We were using both the brown and black pen, switching back and forth, and I always felt like I was using the wrong one (I know. I know. No mistakes). The next tangle was marasu, a tangle I had never done before and it wasn’t that much more successful than well. Nothing was clicking. I was frustrated. I don’t remember what other tangles were used because I don’t think I got that far. I told myself that it would all come together when I shaded. It did not.
 
I can’t say for sure, but it is safe to assume I did not contribute my tile to the class mosaic. I remember feeling frustrated and disappointed, and in that moment, I decided “I didn’t like Renaissance.”
 
So, I left Providence a newly minted CZT and went back to my job at HQ. I was tangling more than ever, just not on Renaissance tiles.
 
One day in the office, I mentioned to Molly how I didn’t like the Renaissance tiles. She asked why and I said I just didn’t “get” them. She sat down with me and gave me a mini Renaissance lesson, showing me how to use the different tools to add layers. We talked about how the process will go through stages and that you need to trust the stages of the process. Layering takes patience and time. Renaissance invites wonderful shading opportunities that transform your tangles and if you can hang in there until that stage, you will be so surprised by the results.  I also finally connected to the magic wand that is Generals Charcoal White. Since I wasn’t frustrated or stressed, it was easier to explore these techniques and tools. It was a breakthrough afternoon for me.
 
I recently found the tile I completed that day. I remember feeling so proud that it had all clicked! I had that “Ah-ha!” moment that feels so good!
 
Over the years, I have fallen in love over and over again with Renaissance tangling and working in layers. The rich brown micron and the creamy white charcoal. I decided to recreate the that first tile, not looking for “improvement” but progress. Over the years, my style has changed and evolved, and it was fun to see that play out on paper.


 
I also can’t tell this story without mentioning marasu again. I had the same attitude about this tangle post-seminar that I had with Renaissance tiles – it was frustrating. I thought to myself, that’s fine, there are many other tangles that I can use.
 
One day I decided to revisit marasu with fresh eyes and a better attitude and well… if you know me or my work, you know the it is my favorite tangle – my mac and cheese tangle – my go to. The only thing better than marasu is marasu on a Renaissance tile.


 
So, next time you find yourself frustrated with a tile, tangle or technique, just take a break. When you’re ready, re-visit what was challenging you and you may be surprised to find that it is not as hard as you once thought. If there is a tangle that you didn’t “get” before, try it again with an open mind.

Julie Willand

39 comments

  • I have tried and tried to draw Tripoli. Even when I watch someone draw it, it just doesn’t come out right.

    Blythe Nicassio on

  • I remember a FB post by Joanna Quincey where she said she got better at Mooka by doing a lot of Mooka, and I tried that, and it worked. Perhaps it’s acquiring the muscle memory. So now when I try a new tangle, if I find it attractive, I repeat it, again and again. I gain the muscle memory and the repetition installs it in long-term mental storage for easier retrieval later.

    Kendra Page on

  • Oh, Julie, thank you! What an inspirational post — I needed to hear it because Tripoli frustrates me. I am going to take a break for a bit and then revisit. I know I will love it one day soon! Maybe just not today! :).

    LaquetaS on

  • This is very inspiring, and when I share Zentangle with others, I tell them it is fun and relaxing, and I have trouble with straight lines, but I practice them all the time, I choose tangles that have them, because I get to practice, and I get to see my progress. Kelpie is the tangle that I have issues with, I guess I need to go back and practice some more. Thank you for your story. I also have never done Marasu, so I am going to go check it out.

    Dolores Redifer on

  • So true… ii find more often that certain pattern creators take wwaayy longer for to get their vision (Tomas Padres, an example… love love his shares and it took 4 years for me to ‘get it’ with tissoooh, membranart, others… simple isn’t easy. Then ii discovered using my right hand to teach my dominant left hand how to draw right-handed artist’s patterns made my brain sharper over time. For years ii could not understand certain scoops or swirls ii see/saw but couldn’t seem to duplicate… note to self, switch hands, let left brain figure it out even messily, & lefty/right brain will be able to mirror it… talk about a Renaissance aha! moment, that was one for sure. Ty Julie for your thoughtful shares.

    Judy on

  • The other day I pulled out a large 24″ × 30″ envelope of artwork that I’ve done over the years. I needed the envelope to transport some current work for framing, so I emptied it out. In this envelop was some artwork I did in high school and, in looking at it so many years later, I was sort of thrilled about how good it is! I was always very hard on myself about my art, never felt like it was good enough, constantly compared myself to other art students. I was so hard on myself, in fact, that I didn’t end up majoring in art. I just didn’t think I was really an artist. My recent experience of looking at the art I did in high school helped me realized that the time, energy, effort and care I put into my work showed a beauty and dedication I couldn’t appreciate when I was younger. I think that sometimes stepping back and circling around to a drawing or a tile can give us some time to really appreciate it in a different way. In my case it was a long and unexpected step back, but I think we can give ourselves that time in shorter segments and the result can be the same. We can see the goodness and beauty in what we’ve attempted to do and love the wobbly lines, the less than perfect orbs, and the asymmetry. We can appreciate out effort and attempt at the creative process. And we might just discover that it’s better than we thought it was in the moment.

    Dione Greenberg on

  • Thank you for sharing your experience. Gave me that " I’m not the only one feeling." I’ve not gotten a tangle with one teacher but then saw another do the same and got. Sometime that teacher was you! Love creating the everyone’s different art once I get the gist. How lucky we are to be a part of this family that is now worldwide.

    Carol S. CZT19 on

  • Oh Julie, what a delightful piece. And how right you are. With so many things in life we need to wait for that “Ah-Ha” moment when everything makes sense. Thank you so much for sharing.

    Kathleen McMurtry CZT on

  • Julie, I just read this again for the fourth time since it was posted. It’s inspirational on so many levels. Thank you for reminding us that looking with fresh eyes and being patient with ourselves allows attitudes to change and perspectives to broaden. I just read a quote today, attributed to Charlie Peacock – “It’s not just about creativity. It’s about the person you’re becoming while you’re creating.” (Also, to Mindy: I can relate!)

    Peyton on

  • Thank you for this Julie, it’s just what I needed today. Haven’t been happy with anything I did today, very frustrating so I’ll follow your advice and take a break. Marasu is on my list of challenges as well and I’ve just added Lapwing, it looks so simple but I just can’t get it right.

    Something on another day or week.

    Michele Couture on

  • Hey Lady! You were so positive during CZT36! With all of us . Hard to imagine your struggling with anything! Thx so very much for all you do! I remember during Seminar it was said that the Renaissance tiles drink up more ink. I never noticed that. Yet since, I have found that if I stop to rotate tile or just rethink my next move..I get a big point blob on my tile. So I am practicing lighter touch & do not leave pen on paper, just pick up the pen & travel on!

    Pat F on

  • You know, sometimes we judge our own work quite harshly…focussing on what we might believe are ‘mistakes’. When we look at someone else’s work we tend to appreciate the WHOLE, rather than judging.

    I love to think of the Zentangle Method as a mode of creation…believe in yourself, appreciate your own style and be gentle on yourself, don’t just compare your work with that of other tanglers…YOU have created something that did not previously exist…WOW!!! Amazing experience, uniquely yours…appreciate your own work ❣

    Raylene Holz CZT36 on

  • Thanks for sharing your insight Julie. I’ve been frustrated with my tangling lately. I seem to produce really good work when I follow a tutorial, but when I attempt something on my own, the magic isn’t there. I become so inspired by the work of others but can’t seem to pull such lively work from my own vision. I guess that’s part of my journey and I’m okay with that :)

    Mindy on

  • Thank you Julie for this post! Love your work. I had a similar experience with my first grey tile. But the session with Maria on grey phi tile during CZT 36 seminar totally changed my perspective. Still need to explore blue on grey though.

    Rashmi Agarwal on

  • Thanks Julie, this helps with my attitude towards molygons. I have tried at various times and can’t seem to do this one. I do get very frustrated and stressed 😫. I will keep trying and work on my attitude of discouragement and being relaxed.

    Cynthia on

  • I would never have guessed any of this about you. When I draw marasu I actually think of you because I have always admired how you draw it. Your work has a signature ‘Julie’ look to it I would recognize anywhere. What a great post. Thanks for sharing.

    Jody Genovese on

  • Thanks for this reminder. I had just done a couple of renaissance tiles I was not happy with and this made me to give them another look and a bit of charcoal pencil work now they are much better.

    Sue Leslie on

  • Love this post! You have given lots to think about. Might go do a Renaissance tile now!

    Paulette Kirschensteiner on

  • I’m so glad to see this revelation about Renaissance! It’s good to share how progress can be so different for each one of us on any given tile or tangle. I am amazed that sometimes my hand just won’t do what I see in the step out then I realize, it’s my way of interpreting it and it makes it unique.

    Linda Elkin on

  • Thank you, Julie, this is a much needed reminder for me right now. I’ve been working on a tile using Mookah & it isn’t going well at all! I put it a side and am working on molygon which is going well, I will get back to Mookah later this week. I might just like Mookah again.

    Susan M Pagano on

  • Love your message Julie and love those tiles. You make me want to try Marasu with Flux on a tan tile! Thanks for the inspiration! ❤️❤️❤️

    Sandy Kelley-Jones CZT on

  • For Betsey: I have heard that covering the part of the tile that you have created/finished/worked on with a piece of paper may cut down on smudges. I’ve done it and it works. I also attempt to be mindful of the amount of ink I have put on the tile—if a lot, then it’s more likely to smudge, especially if it’s not yet dry. This, for me, is when the blotter is most helpful. Lastly, how about spraying what you’ve done with a very light coat of acrylic fixative? Then just remember to spray the second half of the tile with fixative when you’re finished too. Hope these tips help! And then, there’s always the Bronx Cheer.

    Paula Schneider on

  • Love your insight Julie! Hugs 🤗

    Kathy Y. on

  • Thank you, Julie for this insight. I also just completed CZT36 and am a work in progress! Learning to let go and just enjoy the process without anticipating the outcome is my daily goal. The idea of “fresh eyes” and your encouragement is so appreciated! Thank you!

    PAttie GRove on

  • Gracias !!! Julie un kiss

    Elsa on

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