In the quiet confines we find ourselves in at this strange time, I try to make sense of it all and work on projects that I just never seemed to get to. It was an old oversized hassock/coffee table that was in dire need of a new covering. With no fabric stores open, I went hunting in the next best place (or perhaps it was the best place, after all) my sewing room closet. There, I found some old, used tapestry from a pillow that I must have felt was too nice to toss. Without thinking, I threw it in the washing machine ($50/yd Tapestry!) and waited to see what would come out. It was perfect! The fabric was soft, the colors aged like an old Oriental rug. I did not have enough to cover the hassock in the traditional way, so I began my search to find a “creative way” to make this project happen. I was able to cut 3 triangles, that pieced together so beautifully, you would have thought that it was the only way this could have been done.
Then, the next day, I was admiring my handiwork and noticed the similarities between the pattern of the tapestry and a tangle. First you draw the stripes, then every other one would be blue, the other would be a combination of purk and Sampson. Easy peasy, right? I ran and got a tan 3Z Tile and went to work reproducing the fabric. I even did the string the same way, triangle in triangles.
But when it was done, I noticed a dull, structured exactness to the composition. It did not sing to me. Heck, it didn’t event speak to me! So. . . I set off for my studio, away from the hassock. Let’s try this again. I grabbed a Zendala, and went off in another direction. I wanted to create a tile that was inspired by the tapestry, but not copying the design.
It was definitely more fun to tangle, and I did not have to keep looking up to see the tapestry. I had the image in my mind, my heart. It did not look much like the hassock, but it had soul. Energetic lines dancing a tango, back and forth clasped hands before them, directing them across the parquet floor, changing directions in an elaborate, showy flourish! Wow! When I was done, I felt as though I had run a marathon, albeit in a tight red dress, high heels . . . and a flower in my hair.
LIsa HOesing on
JENNIFER SPARROW on
Eefke, Breda, the Netherlands, Europe on
Annie Taylor CZT on
LIsa Barreto on
Chrissie Frampton on
Brenda Shaver CZT 8 Ontario Canada
Brenda Shaver on
Your hassock, your tangling and your story are delightful as always. Thanks for taking us along to the dance.
Sandy Kelley-Jones on
Thanks for sharing.
Jfe on
Beauty is in the eye of the beholder. Both tiles are breathtaking but the evenness and order of the first speaks to me!
Elizabeth Youngs on
Well, Maria, the one thing I really did learn at my CZT classes was that the Zentangle method does not try to replicate an object. So, your second (the Zendala) is truly using the Zentangle method. And it is gorgeous and full of your energy. Plus, the hassock turned out great, too!
Mary Kay Cass on
GInny Lockhart on
DEbinflag on
Debbie Murphy on
Jackie on