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Ink-redible Origins

Ink-redible Origins

Thiele writes...

We often talk about gratitude in the Zentangle practice. Once we have our space and our supplies ready, we take a moment to touch our paper and be grateful for the surface that we will soon fill with tangles. “But what about our pens,” Maria recently thought. Our gratitude should certainly be directed to where our ink flows from, too!

When Maria was in art school, about 57 years ago, she had what they called a Rapidograph. It was the first modern, technical drawing pen, and while it required less maintenance than a quill, you still had to fill it with ink. So, as she sat tangling just the other day, she paused for a moment of gratitude for the Sakura Micron Pigma™ that was in her hand, and the portability of this ink-redible tool. And it was while she was pouring gratitude into her pen that Maria got curious about the evolution of the writing instrument that has become oh so comfortable between her fingers.

This is the timeline she found after some research…

  1. Egyptian Reed Pens (3200 BCE): Ancient Egyptians cut hollow reeds into a point, dipped them in ink made from soot and water, and pressed them to papyrus. This was the birth of written communication… a revolutionary act, but not exactly a portable one. Writing was not for everyone. It was for scribes, scholars, and the privileged few.
  2. Quill Pen (600 AD): Fast forward a thousand years, and the feather of a large bird (or a porcupine!) became the writer's tool of choice. Quills were more flexible and easier to control than reeds, allowing for finer, more expressive line work. But they were still high maintenance. They had to be carefully shaped and sharpened with a small knife, and of course, you still needed a separate inkwell nearby.
  3. Dip Pen (early 1800’s): The Industrial Revolution brought metal nibs, and with them, the dip pen. More durable and consistent than a feather, the metal nib could be mass-produced and replaced. This meant more people could access writing tools than ever before. But still… an inkwell was required.
  4. Fountain Pen (mid 1800’s): Here's where things got exciting! The fountain pen carried its own internal ink reservoir. No more dipping. It was the first pen that truly traveled with its user. Writers, artists, and everyday people embraced it. Self-expression through writing became more widely accessible.
  5. Ball Point (first patent in 1888 and widely adopted in the 1940s): The ballpoint replaced liquid ink with a thick, oil-based paste, fed through a tiny rotating ball at the tip. It didn't dry out, didn't smear, and didn't require refilling nearly as often as the fountain pen. And it was affordable and could fit inside anyone's pocket. The pen had finally become truly universal.
  6. Pigma Micron Ink Pen (1995): And then came the pen that tanglers know and love. Sakura's Pigma Micron brought something special to the table: a fine, pigment-based ink that is waterproof, fade-resistant, and archival. No bleeding, no feathering, no surprises. Just a clean, confident line every time.

It is pretty amazing, when you really think about it, how far we have come. We no longer carry an ink source and maintenance tools to put pen to paper. We don't have to carve a quill or make our own ink. Our writing utensils can accompany us anywhere; tucked in a pocket, behind our ear, or clipped to a belt loop. They have become a reliable companion… easy to reach for and simple to use.

Because of this ease, we are able to take our tangling practice anywhere we go. We can step away from screens and distractions, ground ourselves in a comfortable space, and get lost in our pen strokes. Or when we stumble upon a moment of inspiration, we can stop in our tracks and immediately act on it. No setup required, no inkwell to find.
And beyond convenience, there is something quietly profound in knowing that the ink in our Sakura pens is archival. Our tangles, our marks, our moments of mindfulness will outlive us.

So, the next time you uncap your Micron, take a beat. Feel the weight of it. Think of the Egyptian scribe bent over papyrus, the medieval monk carefully splitting a quill, or the problem-solver who refused to live with one more ink smudge. Then put pen to paper and be grateful because never before in history has it been this easy, this joyful, and this accessible to simply make your mark.

 

If this has inspired you to take your pen on the go and tangle away from a screen, the Legends of Zentangle collection will allow you to do just that. Walk out to your garden, find your peaceful place in nature, or throw your supplies into a beach bag. This summer, find gratitude not only for tangling practice but also for the ability to take your practice wherever life guides you!

Thiele Donovan

26 comments

  • The Rapid-O Graph ink pens that made my black & white art school design pieces stand out on illustration board. I often think of trying that pen on a Zentangle tile when working on my tiles. Just need to locate where they are packed away, lol. Clean up was a messy business with them but a necessary. I have had an issue with my new Sakura nibs that would bend sideways & I would have to straighten the nib. Then it would double line instead of single line. Set aside for a different project. I also find they dry out quickly. I still like the convenience of them. This was a great article Maria:)

    Carol on

  • So interesting! I definitely have my favorite pens….

    Melanie on

  • Good story but I agree about the recycling problem of Sakura pens ✌️

    Brenda on

  • Histoire sur l’écriture très intéressante. Merci Maria. Je suis en train de lire le roman d’Éric Emmanuel Smith, la traversée des temps tome 3 Soleil sombre qui d’écrit un passage sur l’écriture sur Papyrus. C’est passionnant.

    Lair on

  • That is so interesting!

    Gab on

  • I still have 2 sets of much loved (and used)Rapid graph pens and my speedball calligraphy dip pens! Maria forgot to mention the technology of space pens that worked in zero gravity! Writing implements are so special!

    Susan L on

  • I am a lefty. I remember being in school having to fight with the fountain pen we were required to use. I could never make a line that didn’t have a sparkle and it filled me with frustration. Now I know the nib and instructions were not aimed toward lefties! What a concept. I also remember how happy I was when school finally adopted ballpoint pens as the standard. All of a sudden my grades in penmanship greatly improved.

    Thank you for the trip down memory lane but I much prefer living in today’s world of more convenience.

    ChrisK on

  • Oh the memories of early college days in the late 60’s to early 70s with my lettering and layout class. I’m so truly grateful for our modern day pens and love my microns. So easy to take everywhere! thanks for a fun history lesson as well.

    Sue Leslie CZT on

  • I remember dip pens because they were what I was taught to use as an introduction to writing with a fountain pen. This was in Australia 1958/9. Although I use ballpoint pens and Sakura microns now, I am not happy about throwing them away when they are empty. Can the Sakura Micron pens be recycled?

    KarenO on

  • Absolutely enjoyed reading this post. I remember the Rapidograph. All the struggles when then didn’t work and cleaning were a lot to deal with. Love my Microns. I have too many but never enough! PNK – CZT 36 + 43

    Paulette Kirschensteiner on

  • Absolutely enjoyed reading this post. I remember the Rapidograph. All the struggles when then didn’t work and cleaning were a lot to deal with. Love my Microns. I have too many but never enough! PNK – CZT 36 + 43

    Paulette Kirschensteiner on

  • I wonder if my collection f writing/drawing tools would have been smaller years ago. Microns seem to like friends

    Roslyn Badcock on

  • I love the “Rick/Maria” drawing at the top of this post… It’s just a beautiful tribute to their gifts to all of us. Thank you!

    Robin Atkins on

  • Interesting history. Thanks Maria!

    Rimona Gale on

  • I’ve been journaling since I was 13, now 56!

    I’ve always been grateful for my pens and paper! That’s why the Zentangle Step One resonates with me. I’ve literally thought about the fact that I’m in the very privileged minority of humans that has access to an abundance of paper, writing tools and the education/ knowledge to use them!
    I just recently discovered Fountain Pens..down the Rabbit Hole!
    I recently listened to a wonderful biography about Leonardo DaVinci and it discussed his writing tools and scarcity of “paper”! I’m beyond grateful and appreciate the beautiful gifts Zentangle keeps giving us!

    Wendy Kircher CZT 14 on

  • Maybe even making little tangled lip (kiss) stickers for our pens as a reminder of this gratitude!

    Gretchen on

  • What a wonderful post to have this history. I love my microns. I also thought how the 01 has taught us how to go gently because of its unusual nib. And think how it has evolved since I started tangling in 2012. At first we had mainly 01 and 05, and then came the PNs and the fat ones like 08, 10 and 12.and the super fine ones. At my first ZenAgain online, I was in a chat room with Peter Uyang, Sakura’s main connection with ZHQ and he told us about the impact of Zentangle on the development of the Sakura pens. Isn’t this reciprocity always the case in a love affair? Would love to hear a piece on this. Maybe Peter would do a guest blog. Great gratitude for the entire community.

    Georgianna on

  • I also used Rapidographs! Discovered the history of sketching pencils before graphite was discovered/invented – and have fallen in LOVE with Silverpoint!!

    Ann Dowling on

  • The rapidograph pen, that does take me back to collage in the early 70’s. Those pens were so finicky! Thank goodness for Microns. Funny how pens improved, but the kneaded eraser is unchanged. What I find surprising is the up and coming artists of my day are now being studied by my students! Not to mention every piece of furniture and clothing I ever owned is now returning as mid century modern or vintage collectible. Sigh.

    Ann Baum, CZT36 on

  • I just loved this! I was a history major in university and I studied the history of the written word. Along with that came the history of the writing instruments. I, along with you, have a deep gratitude for the evolution of pens. Love what we have now and the availability of our supplies. Thank you!

    FayeG on

  • I keep a small to-go Zentangle supply kit ready to grab by the door. It has gone everywhere I go. It has sparked more conversations than not when I quietly pull it out and start a tile.

    Ginger White CZT34 on

  • Grazie per aver condiviso queste riflessioni sugli strumenti che utilizziamo per scrivere e disegnare, a cui spesso si dà poca importanza. Io e mio marito, dopo circa 40 anni di ricerca in giro per il mondo, abbiamo aperto a Torino, in Italia, un piccolo e curioso museo: Calli.gra.ture dove si possono vedere strumenti antichi e moderni ritrovati in giro per il mondo.
    Oggetti narranti per raccontare come si sono evoluti nei vari paesi del mondo gli strumenti, soprattutto utilizzati in viaggio, per scrivere, disegnare e stampare. Ogni persona che passa da qui puo’ provare ad usarne alcuni. Anche la pratica dello Zentangle, essendo una czt, e’ entrata a far parte di questo progetto, dove si utilizzano strumenti moderni e del passato per realizzare le tessere

    Patrizia Cianci on

  • I loved this! I love history, and have had a morning gratitude practice for a majority of 7 years (one falls off the wagon occasionally) and I find I have to keep the gratitudes fresh- so this was inspirational .

    Beth on

  • I love ink on paper. I enjoyed this feature with a little pen history!! To all of my Zentangle pen-loving pals, sending good vibes and lotsa lettery love!!

    Karen Izzi on

  • I have always been known as paper hound, but also for a long time a pen lover. Recently, I cleaned out my home of 30 years to make permanent living in another state. I was delighted at finding my full set of Koh-I-Noor Rapidograph pens, including scriber, amongst other treasured things from my college years, oh so long ago. Regrettably, I was less careful with my tools/supplies then and now found, to my dismay, that I had left ink in several of them. I would never treat my Sakura microns so callously! I baby them a bit, make certain they are stored on their sides, as recommended, etc. I also maintain dip pens of glass as well as with metal nibs and have three fountain pens that I use less frequently. I have found you almost cannot have too many pens! But for ease of use, full portability (imagine a leaky pen on a plane or for that matter having to make certain your inks were all at or under 3 ounces and wrapped tightly in case they leaked in your luggage, rather than just uncapping a lovely micron and drawing any time, anywhere), small foot print and wide variety of nib sizes and colors, the micron pens are where it’s at for me. Think I will grab myself some beautiful zentangle paper tiles and a micron or two and take them to my lanai to quietly tangle now and start with gratitude and appreciation for both.

    PamS on

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