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Seriously? . . . Updated

On July 29, Ina Sonnenmoser sent us an email that said, in part, “I herewith request a public apology and removal of the blog post within 7 business days. Alternatively, you will face a lawsuit for defamation of character.”

We want to reduce the tension. So, we edited the original post to remove our analysis. The edited version appears below.

However, we need to maintain an online record of the specifics of the June 1, 2018, blog post that compared the Zentangle Method with what Ina calls her “intellectual property.”


When Ina Sonnenmoser of Germany offered “Certified CPT Coach” training in “Creative Pattern Tangling,” numerous people contacted us to express their concern. So, we took a closer look.

The quotes that follow are used in the same context as in their source documents:

  • Creative Pattern Tangling – Beginners Guide – Vol 1
  • Mindful Drawing & Creative Pattern Tangling – A guide for creating harmony in the brain through artful meditation
  • Coaching Creative Pattern Tangling Vol 1

These quotes are either equivalent statements or direct quotes from our Zentangle books, our Zentangle website, or material that we teach in workshops and CZT seminars.

 Ina describes:

  • Using a “square artist tile,” “draw a border” in pencil to “define the area in which to draw.”
  • Draw a “string” by “allowing your pencil to dance over the paper” in “loops, waves or straight lines to divide the area into sections. The individual areas can now be filled with patterns.”
  • To “create a tangle” use “pigment pens” “with a nib size of 0.1.”
  • “Fill the first section with the pattern.” “Focus on each line, take your time, do not think about the next stroke.” “Turn the tile” “multiple times” “ensuring a comfortable position for your hand.” “Draw all [straight] lines pointing downwards.”
  • Using a standard pencil, add “shades of grey” and “add the finishing touch” so “your artwork will come to life” because shading “adds depth to the design.” Don’t be “overly concerned about the light source” because you “use shading to enhance a pattern.”
  • Use a tortillion to “distribute the graphite” and push “the graphite further down between the fibers” of the paper.
  • “The final step is to sign the artwork.”


  • Patterns are based on shapes such as
    • “line”
    • “S-shape”
    • “The circle or orb”
    • “C-shape”
  • Pattern “Step-Outs” use the Zentangle convention of red and black lines in sequential steps.
    • “Some step-outs contain suggestions for variations (also known as tangleations) of the pattern.”
  • When drawing circles “try drawing the shape the opposite way.”
  • The “importance lies in the process, the tangling, not the outcome.”
  • Tangles taught include:
    • “Crescent Moon”
    • “Printemps”
    • “W2”
    • “Shattuck”
    • “Paradox”
    • “Cadent” Reborn
    • “Striping”
    • Fife, renamed “Flower of Life”
  • also:
    • “aura”
    • “highlighting” (our “sparkle”)
    • “rounding”

There’s so much more — about muscle memory, “putting pen to paper,” pain management, relaxation, about not judging or grading artwork, about walking through a class and praising students’ artwork, about creating a state of “flow,” how to apply these principles to your life — all the things we write and talk about.

Additionally, “Coaching Creative Pattern Tangling Vol 1,” has a chapter “Money, money, money” where Ina describes how she expects Certified CPT Coaches to compensate her whenever one of them gives a class to a paying student. Ina writes [color and emphasis hers]:

“. . . the entire concept is built on trust! Karma has a way of biting you in the backside if you are dishonest and cheat ;-)”

Then in the next paragraph:

“As soon as you make money from handing out my intellectual property, I should get my share. Sounds fair? Good!”


In a public letter to us, Ina wrote:

“First and foremost, please do not confuse CPTs way of creative drawing with your copyrighted method of teaching, as these are entirely different approaches as you would know.”

To research what differentiates “CPT’s way of creative drawing” from the Zentangle Method, we explored her website’s CPT section: 

“The CPT process is simple:
“Take any pattern step out and exchange one shape for another. Apply different fill- or expanding options and see where your creativity leads you. Through this process, you build your very own pattern to create artwork.
“Grid-based patterns can be modified by rotating a section, or by using a different grid base to draw the pattern. On we have applied this method during the Grid Journey.”

People familiar with the Zentangle Method can compare these statements with Zentangle’s “tangleations” and “reticula and fragments.”


The only quoted material used which is not related to the Zentangle Method are Ina’s comments on Karma and getting paid. Those limited quotes are included for the purpose of criticism and comment under the Fair Use Doctrine (Section 107 of the Copyright Act).

For your reference, here are the links for the documents quoted above. 

  • Creative Pattern Tangling – Beginners Guide – Vol 1– US$5.00
  • Mindful Drawing & Creative Pattern Tangling – A guide for creating harmony in the brain through artful meditation.– (unavailable on May 31, 2018)
  • Coaching Creative Pattern Tangling Vol 1(unavailable on May 31, 2018)


Rick and Maria



Sacred Doodles and Carol Edmonston

In the original blog post, Ina posted links to articles which insinuate that we plagiarized Carol Edmonston’s “Sacred Doodles.”

Those insinuations are false.

We did not learn about Sacred Doodles until almost four years after we developed the Zentangle Method. As soon as we learned about it, we reached out to Carol and we informed the patent office. 

  • Fall of 2003, we develop the Zentangle Method.
  • September 19, 2005, we file a patent application.
  • Around January of 2006,* we learn about Sacred Doodles. We reach out to Carol. We send her a letter and a Zentangle Kit. We may have had a phone conversation, but we’re not sure; it was over a decade ago. [Updated below**]
  • January 27, 2006,*July 18, 2007, we file an Information Disclosure Statement with the Patent Office informing them of our discovery of Carol’s work. As patent filers, we are obligated to report any potential prior art we discover, even after we file our initial claim. The date and contents of our disclosure are a matter of public record.


If you find any errors of fact in this blog post, please let us know.


Thank you.

Rick and Maria



* August 3, 2018 -- We filed our first Information Disclosure Statement with the Patent Office regarding Sacred Doodles on January 27, 2006, not July 18, 2007 as first stated. We resubmitted it on July 18, 2007, in the format for websites as requested by the Patent Office. 

** August 3, 2018 --Carol recently responded in one of the blogs Ina posted which falsely insinuates and wrongfully states that we plagiarized Carol's work. Carol confirms that we did have a conversation and that our approaches are different from each other. Carol wrote (in part):

"I can’t remember exactly when Rick and Maria contacted me, but we did connect. For me it was refreshing to connect with other ‘doodler’s, especially those open to exploring the world through spiritual study. I can’t remember what path they were on, but mine is based on Hindu teachings. After our conversation, they sent me one of their Zentangle kits. What became apparent to me, was while we shared similar thoughts about the benefits of doodling, our approach to the “how to” was different."



  • I want to be sure I am reading this correctly. I can no longer find the original post – it appears you basically removed all the ultimatums you gave Ina. is that correct? and are you planning on pursuing this any further? or is this the end? I just want to be clear I understand what is going on here. thank you

    Alice hendon on

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