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Twenty-Two Tremendously Terrific Techniques to Tipple Tiles

Twenty-Two Tremendously Terrific Techniques to Tipple Tiles

Maria writes:

I was boiling water the other night to blanch some green beans and in walks my beloved, to check out what I was doing (re: what's for dinner?). He spotted the energetically bubbling water and whips out his phone, quick as a bunny!   He proceeded to take this fantastic animated version of the tangle "tipple.”

How could I not show you all this, "what it's like to live with Rick on a daily basis" phenomenon?   So, then a few minutes later, Julie sashays into my studio asking for a blog for Tuesday.  HA!

Life is good. (Because, finding things for a blog gets just a tiiiiiny bit more challenging as each day passes).

Tipple is one of my fallback tangles, when absolutely nothing comes to mind. I love to spiral them out, (example #4 in above Zendala)  taking my time beginning with tiny orbs and each one gradually getting bigger and bigger as I follow the direction it so elegantly takes me.  Or, I begin with a large orb and taking the size down ever so slightly with each subsequent circle.  To me, this is a great way to intensify your meditation, when you must pay careful attention to an ever-changing element.  I do enjoy adding an intense tippling session to my tile, making something appear really complicated when it is merely time-consuming.

I enjoy carefully stacking the tipple, as they so gracefully fit together like a stand of bowling balls, (example #2)  if one was to be able to get the bowling balls to not roll all over the place, as they want to do.  I think of bowling balls, because I want the weight to be apparent, heavy, solid and powerful, as opposed to thinking of Styrofoam balls, that would fly away in a slight breeze.  So, I make the lines bold, going around the orb a few times with my pen. It's more forgiving as well, allowing you to correct or sculpt the" bowling balls" a bit.  I'll have to try going every so lightly and see what that gives me. 

In studying the video that Rick did for me,  I found that drawing the orb first then going in and drawing a smaller one inside, then filling it in with my pen, gave a similar look.(example #3)  It was a bit more unexpected and took longer,  but I liked the effect it gave me.  

I taught a beginners class the other day and instead of doing basic tipple in one of the four sections,  I drew a few larger orbs scattered about the section  (example #1) then drew a bit smaller orbs around each one, continuing until the background was filled with really tiny orbs.  All the students were able to get the concept and their tiles looked great.

At tea today, I noticed Stephanie's bracelet, the tipple in a traditional, square reticulum. (example #5).  A whole different look. The shading on that one surprised even me.  The bracelet itself, had a diagonal design of white and grey crystals.

And this other bracelet/cuff, that a CZT graciously gifted me, she said it reminded her of me. The double pearl pattern appealed to me, the bracelet a bit steam-punkish, in its boldness. (example #6).  Loved the tiny prongs keeping these pearls from wandering too far.  I am a bit hard on things and feel comfortable wearing this piece of jewelry.  And, also feel like it would fit comfortably in any of my Zentangle tiles.

I am anxious to see you artists using alternate versions of tipple in your tiles.  Seek the road less travelled. . .  and all that.  Go confidently in the direction of your dreams..

Not sure Robert Frost or Henry Thoreau had Zentangle in mind, but I guarantee they would have loved tangling. Hmmm…I wonder if they would have liked a tipple or two. . . 

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Bijou is going to be giving away a special surprise to one lucky commenter! The randomly selected commenter will be announce in next week's blog.

Maria Thomas


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